October 15, 2012
By Alice Singleton
Erzinga is not a story about genocide, but a story about the "collateral damage" of genocide; the shame and shaming of the victims; the stench and aroma of madness that infects and plunders until the victim finds the key -- the lynchpin -- to unshackle themselves, first by finding the ways to accept that bitter herbs rest next to the sweetness of honey and apples in this life, the lives that came before, and Erzinga must be seen and experienced for what it is -- a remarkable work that resonates through all of us with a buy-in to the Family of Humankind.