Yellow Face by Guest User

Talkin' Broadway
By John Olson
June 20, 2011

[The] thoughtful philosophy and relevance of the topic of racial stereotyping and profiling make Yellow Face well worth the time. Scott's direction and cast [...] give the script a top-drawer reading. Tom Burch's simple but elegant Asian-influenced unit set and Matt Guither's smart costumes of business attire add to the production's sophistication and class.

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Yellow Face Recommended by Guest User

Newcity Stage Chicago
By Brian Hieggelke
June 18, 2011

There is so much nuance and device at work in this play that the whole thing could easily become a trainwreck, but it’s a testament to the strength of Hwang’s writing, Steve Scott’s assured directing and the multitalented cast—especially the energetic David Rhee as DHH—that it instead turns into one of the finest rides I’ve had in the theater in a long while.

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Yellow Face by Guest User

June 14–July 31, 2011

The Chicago Premiere
Presented in Association with Goodman Theatre
Written by David Henry Hwang
Directed by Steve Scott

A revealing backstage comedy from the Tony Award-winning writer of M. Butterfly, this ferociously funny, utterly unreliable memoir chronicles David Henry Hwang's struggle to define racial identity in the mixed-up melting pot of contemporary America. Part fact, part fiction, Yellow Face explores the pitfalls and promise of our "PC" world.

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Seven: A Documentary Play by Guest User

March 31–April 2, 2011

Written by Paula Cizmar, Anna Deavere Smith, Catherine Filloux, Gail Kriegel, Carol K. Mack, Ruth Margraff, and Susan Yankowitz
Directed by Kimberly Senior

Seven is a groundbreaking documentary play based on interviews with seven women's rights activists from seven countries around the world—Afghanistan, Cambodia, Guatemala, Nigeria, Northern Ireland, Pakistan, and Russia. The interviews were conducted by seven award-winning women playwrights.

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Blazing the DNA Trail: Theater Review by Guest User

Asia Pacific Arts
By Howard Ho
January 26, 2011

Put seven of the most celebrated Asian American playwrights into a room and give each of them the topic of DNA heritage as the basis for a ten-minute play. Oh, and make them all take DNA tests and have them grapple with the results. It sounds like it might be a reality TV show, but in fact, theatre impresario Jamil Khoury did just that.

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Dawn's Light: The Journey of Gordon Hirabayashi by Guest User

Written by Jeanne Sakata
The Midwest Premiere
Directed by Jessica Kubzansky

January 13 - January 15, 2011

Dawn’s Light: The Journey of Gordon Hirabayashi by Jeanne Sakata chronicles the true story of one Japanese American’s enduring fight for his constitutional rights. Gordon Hirabayashi was a happy-go-lucky twenty-four-year-old college student living in Seattle when Pearl Harbor was attacked in late 1941. The government’s decision to remove and imprison all people of Japanese ancestry on the West Coast – including American citizens without due process of law – turned Gordon, a Quaker, into a crusader. Dawn’s Light faithfully documents Gordon’s historic decision to heed his conscience and pursue his faith in the protections of the Constitution all the way to the U.S. Supreme Court.

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Confession by Guest User

November 1, 2010

Presented by Pegasus Players
Written by Leslie Croxford
Directed by Ilesa Duncan

Confession is set in Spain towards the end of decades of dictatorship and civil war in the 1930s. On a late winter afternoon, an old American Priest sits waiting to hear confessions in a derelict church. As he begins to fall asleep, the Priest is disturbed by a presence entering the church. Not sure at first if it is real or part of a dream, the Priest eventually recognizes the figure as the Dictator come to say his final confession and receive absolution. The Priest has, however, no intention of granting absolution to a tyrant whom he has always despised. But the Dictator is not used to being thwarted, and an intense power struggle ensues with the characters locked in a deadly embrace.

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by Guest User

Steadstyle Chicago
By Lawrence Bommer
October 28, 2010

Effectively presented through multiple time frames and nonlinear action, the plot unspools like a curse that spares neither innocents nor killers. The audience itself seems caught in the crossfire that detonates Dale Heinen’s Chicago premiere until detachment becomes impossible.

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