2009

In the Crossing by Guest User

April 28–29, 2009

Written by Leila Buck
Directed by Shoshana Gold

Leila, a Lebanese American of both Muslim and Christian heritage, has been performing personal stories about bridging multiple identities for years. She arrives at a conference to present a reflective new piece about her experiences in Lebanon with her Jewish American husband during the Israel-Hezbollah war of 2006. As she attempts to portray the myriad of voices they encountered, Leila soon realizes that the most treacherous journey of all is the struggle to tell her own story.

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by Guest User

Jewish United Fund News
By Jan Lisa Huttner
April 1, 2009

Whatever your own personal feelings are about “the two state solution,” it is critical to remember that specific lives will be forever affected by politically-motivated decisions, and Lerner’s accomplishment is to show there simply are no easy answers.

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Theatre Tidbits by Guest User

Chicago Sun-Times
March 27, 2009

Silk Road Theatre Project Artistic Director Jamil Khoury comments that "I am utterly bound up and wound up by this play. Pangs of the Messiah embodies everything that Silk Road Theatre Project audiences have come to cherish about the company's repertoire. It's an intelligent, provocative, and emotionally compelling play that allows audiences to arrive at their own conclusions."

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Pangs of the Messiah by Guest User

March 19–May 10, 2009

The Midwest Premiere
Written by Motti Lerner
Translated from Hebrew by Anthony Berris
Directed by Jennifer Green

Set in 2012 amidst the signing of a peace treaty between Israel and the Palestinians, Motti Lerner’s Pangs of the Messiah is an apocalyptic yet fiercely humane drama about eight West Bank Jewish settlers pitted against an Israel they feel has betrayed them. The play focuses on a religious family that finds itself torn between fighting to stay in their settlement and obeying their government’s decision to dismantle it. Left hanging in the balance is the legacy of their beliefs.

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Silk Road Theatre Project's Alternative Cultural Education by Guest User

In the heat of immigration reform and the ongoing debate on racial inclusivity, I believe that the preservation of ethnic cultural heritage and ethnic art education are becoming more relevant and important every day. My own interest in ethnic arts practices, multiculturalism and cross-culture experience began with my musical training as a pipa[*] player. Ethnic and folk arts, especially in performance, fascinate me. After graduating with a master’s degree in art education from the School of the Art Institute of Chicago, my interest in ethnic arts practices continued to grow.

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Silk Road Brings Audiences Into the Loop by Guest User

Silk Road Theatre Project (SRTP) has rolled out an innovative audience engagement strategy that reaches beyond producing plays to provide several opportunities for patrons to connect with the company. The basis of the strategy is that the more information an individual has about the process of producing theatre—why a play was chosen, what influenced the playwright, etc.—the more likely they are to support it. It seems to be working. SRTP saw a 200 percent increase in individual donations last year.

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