Chicago Journal
By Bonnie McGrath
May 1, 2009
In-house literature about the production of Pangs of the Messiah says the play presents Israelis and the Middle East conflict in "a myriad of complexities." It is precisely these complexities that hang in the air, like the fallout from a bomb, during Pangs of the Messiah.
Read the Full Review
Read More
Chicago Reader
By Kerry Reid
April 2, 2009
Lerner avoids the temptation to demonize, leaving us with a sorrowful meditation on how it will all end. “Questions are over,” Shmuel says early on. “Maybe there’ll be some answers.” Maybe. But Lerner’s play cautions that the answers we get may not be the ones we want.
Read the Full Review
Read More
Newcity Chicago
By Fabrizio O. Almeida
March 30, 2009
Pangs of the Messiah is curiously pitched somewhere between political thriller and family melodrama... [It] is not only a good play by a strong international writer, it’s also an experience that’s good for us as Americans right now.
Read the Full Review
Read More
Chicago Tribune
By Chris Jones
March 29, 2009
Lerner has written a script with Chekhovian nuance... And frankly, the script it so compelling, you won't find yourself focusing on anything but the issues of the play, crucial concerns of the moment.
Read the Full Review
Read More
Chicago Critic
By Tom Williams
March 28, 2009
Playwright Motti Lerner builds his riveting drama as explosive events find the settlers quickly at odds with the Israeli government... The complex arguments are evenly presented leaving audiences to arrive at their own conclusions.
Read the Full Review
Read More