2014
Mainstage Productions
October 16–November 23, 2014
The Midwest Premiere
Written by Christopher Chen
Directed by Joanie Schultz
Digital media becomes the perfect "ally" for a group of actors collectively creating a play about Mao Tse Tung's Cultural Revolution. As their work-in-progress starts morphing into a propaganda play about the play itself, disturbing questions arise as to who, or what, is controlling the narrative.
March 27–May 4, 2014
The Chicago Premiere
Co-Production with About Face Theatre
Written by Aditi Brennan Kapil
Directed by Andrew Volkoff
In this provocative play masquerading as a stand-up comedy routine, an Indian intersex person explores history, mythology, gender roles. . . and high school. Funny, cynical, inventive and intensely charismatic, Brahman/i takes on more than a dozen unforgettable characters in a fascinating life story that most of us can barely even begin to imagine.
Staged Readings
June 28–29, 2014
Written by Robert Myers
Directed by Sandeep Das
By turns comic and appalling, Unmanned dramatizes the lives of two drone operators in a remote desert in the American Southwest—one, a retired male fighter pilot too terrified to fly again; the other, a young female gamer who has never flown. This sets the stage for an exploration of the bizarre and disturbing profession of the military drone “pilot” and the ways in which technology has radically altered contemporary life and warfare.
June 19–20, 2014
Written and Directed by Rana Kazkaz and Anas Khalaf
The Translator tells the story of Sammy, an English-Arabic translator who defected from Syria, and Zaid, his politically active brother who is arrested for peacefully demonstrating against the regime. A fearful Sammy illegally returns to Syria in order to find his brother and in the process discovers his courage.
March 8–9, 2014
Written by Saadallah Wannous
Translated from Arabic by Robert Myers and Nada Saab
Directed by Sahar Assaf
In 1880s Damascus, two rival clerics are mired in a feud that tears the city apart. Political ambition, religious fundamentalism, and sexual hypocrisy fan the theatrical flames in this blistering critique of patriarchy and power in the Arab world.
Syrian playwright Saadallah Wannous (1941–1997) has been called both the Bertolt Brecht and the Wole Soyinka of the Arab theatre. His plays are to the Arab world what Vaclav Havel’s plays were to the Iron Curtain.
February 7–9, 2014
Written by Sheri Winkelmann
Directed by Helen Young
When Sadia travels to India to volunteer with the exiled Tibetan refugee community, she never imagines that she will meet the love of her life. Caught in a whirlwind romance, she returns with new love to America and they quickly marry. Not long after the wedding, Sadia discovers a dark, twisted side to him that eventually threatens her life. Struggling to escape the physical and psychological violence that has become her daily life, she discovers the enlightened Sufi poet Rumi, whose spiritual insights guide her to freedom.
January 17–19, 2014
Written by Rohina Malik
Directed by Corey Pond
Meet Abdul Samee: his father is Iraqi and his mother is Puerto Rican. Longing to shed his cultural identity, he changes his name to Sam, marries an American, and does everything in his power to turn his back on his heritage. But when Sam meets Yasmina, a beautiful woman from his father’s homeland, he begins to learn that a tree without roots cannot stand for long.
Documentaries
Directed, Edited, and Produced by Malik Gillani & Jamil Khoury
March 22, 2014
Sacred Stages: A Church, A Theatre, and A Story (28min, 37sec), tells the unique and inspiring story of the relationship between the First United Methodist Church at the Chicago Temple—Chicago's oldest Christian congregation—and Silk Road Rising, a theatre company founded in response to 9/11 and dedicated to showcasing playwrights of Asian and Middle Eastern backgrounds. A shared commitment to storytelling, racial and economic justice, and LGBT inclusion characterizes this profound partnership between a religious community and a secular theatre.